P. Orin Zack's Blog

Topical Short Stories: massage into brain, repeat as needed

P. Orin Zack

P. Orin Zack
Renton, Washington, US
June 22
Ever since I learned to speak binary on a DIGIAC 3080 training computer, I've been involved with tech in one way or another, but there was always another part of me off exploring ideas and writing about them. Halfway to a BS in Space Technology at Florida Institute of Technology during the Apollo years, I ditched out and walked into a data center job with Franklin National Bank a few years before it made history. Software contract houses, like the one I signed up with after the layoff, not only offered paid benefits, but kept paying you between contracts while they searched for your next gig. Of course, by then, I'd already been infected with the ideas of Edward de Bono, so my approach to problem solving, and therefore every part of my life, including writing, was tacking towards uncharted territory. Since then, I've worked on a remote weather station for NOAA and on NASA/JPL's Deep Space Network, diddled with a huge database for a DOD competition at what used to be McDonnell-Douglas, subverted the design of the database driving one of the Air Force's aircraft test sets, wrote tech docs in the 'Dead Languages Group' at Microsoft, and even created the entire IT infrastructure for a manufacturing business I co-owned. And all along the way, I wrote. So far, there's three novels, as well as lots of short stories and essays. Some of which you can read right here

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APRIL 6, 2012 1:58PM

Genesis of a Story: Part 5

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As an experiment in exposing my writing process to view, I've been posting my notes and prose here as I work on a sequel to my previous new short story, "Unspoken", which was instigated by the posts of an OpenSalon blogger from India. One thing that I find myself doing differently as a result of posting my progress is that instead of purging and editing the notes in my text file as I go to reflect the developing story, I've left them intact and just added to them at each stage.

The section of the story I'm posting today is my prose interpretation of part of what I had sketched out as where the next short bit of the story would go. I'll back up a little to provide you with a little context, but if you're just joining me, you might want to read the earlier posts in this sequence.

Samir stood, slack-jawed, staring blindly into space as their assailants melted into the crowd and disappeared. He shook his head weakly, and looked at Rahila. “I’m ruined,” he whispered, “and so is Maharla.”

An awkward stillness enveloped the café for the few precious seconds it took for the narratives in too many people’s heads to vacuum up the messy details of what had just happened and paint it over in the subtlety-free shades of preconception. As Rahila glanced around, what eyes she met either quickly averted, or hardened into accusatory stares. She had just started to turn back towards Samir when a shrill cry made her wince.

“Away with you!”

A bent old woman in a faded sari was trying to push Samir off the café’s bit of sidewalk with the package in her arms. She shook her head in derision and launched into a string of tasteless epithets, but she was having no effect. He was oblivious.

Rahila pushed the woman’s package away and bent close. “This has nothing to do with you, grandmother,” she said firmly but quietly. “Give us a moment’s peace and we’ll leave.”

Several people stopped dead when they saw her stand up to the older woman and bathed her in angry glares. One of them shouted, “Leave her alone!” Another spat at her.

She glanced from one to the next as she put her arm behind Samir and started guiding him towards the street. Within seconds, a hubbub arose, leaving her with the certainty that the rabble were already embellishing their misconceptions. This would not be good for either of them. But what should she do now? Where should they go? She didn’t know where he lived, so she could hardly bring him there. That left the room she’d found after being thrown out of the women’s shelter for being single and over forty. She figured it was too long a walk for Samir in his present condition, so she considered how much money she had left and decided to flag down an auto-rickshaw, hoping that it she wouldn’t be overcharged again.

The driver of the first three-wheeler that stopped refused to take instructions from her, so she told the next one that her husband had taken ill and she needed to get him home. While the open cab wove through the usual late-afternoon flood of human- and motor-powered vehicles, Rahila tried to get Samir to talk about whatever dark memory had enveloped him. Asking him about Maharla at least got him to start breathing more regularly, but he hadn’t unclenched his fist since they’d boarded.

When they were about a block from where her rented room was, she told the driver to stop.

While Rahila was nervously counting out her money, the driver turned to study Samir. When she held out the cash towards him, he smiled and said, “No, ma’am. I cannot take your money. Your friend is obviously in distress.”

“My friend?” she said, taken aback. “But I said he was my husband.”

“I know. But I could tell that that was not true. What is true is that you are family to one another in a different way, and that you are doing him a kindness, as I am for you.”

“Thank you,” she said gratefully, her eyes tearing up, “thank you.”

“You are quite welcome,” he said. “Now get him somewhere he can rest, and take good care of him.”
(to be continued...)

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To fashion a story out of lie takes craft and a spirit that is willing to subject itself to the rigours life demands.
Thank you for doing this Orin.
You're welcome, I think, but I'm curious about what you mean about fashioning a story out of a lie.

Thinking about it, I can see two different opposites to that world. The one I suspect most people think of is a fact. In the case of a statement about some person, that means something the person did or said. But the opposite of a lie could also be a truth, which is a valid insight about something. So what I think I did was to fashion a story out of an insight that I gained from you, and used fictional people to express it.

I would never have written these stories had I not met you. And that is another truth.

No lie. ;-)