At fourteen I was filthy in the alley. I missed adolescence, the tumult and the dance, and ended up in jail. I had no team, no one rooted for me. No mother, no father, no better road, no salvation bridge.
I was a runaway from a broken home. One of four, then five, who splintered off the straight beam. I was on the side. At the rim of the light, not fit for decent people. Not even wrong, or bad. Just gone. A mis-step, a broken stride, a stumble without recovery, and a young boy flees to the streets, again and again, looking for hippie shang-ri-la.
The street was too bright, revealed too much dirt, didn't conceal enough beardless cheek, so it was through the yards and alleys and back roads I walked and hitchhiked, begged and slid, into the cold winter of 1969.
I am in those alleys still, in the fading edge of heat and normal life. I am incomplete, forever denied, forever throwing away what will never be right. I find myself wanting to tell my children, to shake them up, to make them realize how temporary this is, and for no reason other than jealousy over what I mustered for them, the gifts I gave them of reliability and be-there, and love.
When I feel this come on I retreat into the shadows and write. It does no good but it uses up the bad time, sloughs off the perversity of working so hard to make sure they never fear what I feared. And wanting them -- so bad I want this -- to feel it all, the torn nails and cold legs and hunger. How every warm lamplit window was a dead hand in my heart, tramping the midwest so long ago.
I am still incomplete. I feel forever denied, and I have made a life of denial, giving my all to my children, every nerve and sinew I give to them. I don't take vacations or waste money on anything but books -- children grow up smarter in homes with books, studies show, and mine did -- and I gave to them the radiance of whole, the infrared of love, the ultraviolet of steadfast.
This is crap. All these words fail, yes? Melodrama, or else raw chalk on a cheap slate. No careful observation or rendered details will revive that boy or save him. No wordplay or wrenching theatrics will recover him and set him right, return him to better future. No lifting up, what's done is done and what's gone is gone, except it is not gone. I am not all here. I never left that alley. That moment lives in me: days gone on the latest escape, the grease congealed on the wax wrapper, my thin gloves between my knees, my tongue taking up the soggy bread and crusted mayonnaise and stiff lunch meat; both hands turning it, pulling the paper flat, to get everything, from every fold and wrinkle. I still feel it, inhabit it, how I make my glances at the battered metal door, and the sidewalk at alley's end, where dawn blessed the Washington University students, hurrying to early class. I am still afraid someone will look my way, some dishwasher will open the door.
I zoom in on that boy and I am that boy, uncombed, unwashed. I enter him again and again. I can't control it. Every year, into that hollow heart, that shameful hunger, I return.
I can't forget. I can't stop being in that moment. I will never be the student in a warm sweater, laughing with a girl, rushing to class, or the busy, wet-hands kitchen worker, surrounded by food and light. I was, am, always, the other guy, outside.
It comes to me late at night, during movies, while watching my kids. The alley, the cold Nebraska plains. The terror of being driven by speed freaks deep into the Ozarks, to an abandoned cabin. The limed memories of jail. The tragic hope I felt. I will never really get past those moments, and be a regular guy, whole and confident, in a main stream.
I fake it. I am almost done raising my three superb daughters, who are whole, and who think I am like them. I am not. When they go, when I no longer have them to be bright and upright for, what will become of me? Will I go back and finish? How is that done? How do I re-do?
I can't, I won't, recover. I just moved on. I did something else. I did not return to juvie or end up a junkie. But I am defined by those years, that alley, that trash can, that dark light, that days-old, half-eaten sandwich.
How could they have let that happen to me?
Don't tell me good things. Don't tell me I rose up and did alright. I know all the things I am and did and made right.
I succeeded because I return, always, to that place of strewn glass and broken plates and passers-by. I feel, because I must, what I am not, what I missed, what was proved in me: I am not lucky. I was not loved as you were loved, or wanted, as my own children, now and forever, are wanted. I was not protected or cherished or watched over or chased down, tackled before I got away. I have ash where you have birthday gifts.
I am always this way. I chose to turn myself inside out, to make for my children what no hand formed in me. But what is turned is still visible, from the inside, still felt, from the inside. Brick dust. Gasoline. Blisters. Hunger.
I fail at this. Again. So I pat myself. There, there. Let's all feel better now. We'll do what I always do: let it go. I go on, un-nerved. Real people have nerves and full hearts and good lives, can feel every part of what happened once upon a time. They have reunions and reminiscences. I stay a little numb. At a remove.
It's OK. I have enough to eat now, and my children? My children have everything.
I was a runaway from a broken home. One of four, then five, who splintered off the straight beam. I was on the side. At the rim of the light, not fit for decent people. Not even wrong, or bad. Just gone. A mis-step, a broken stride, a stumble without recovery, and a young boy flees to the streets, again and again, looking for hippie shang-ri-la.
The street was too bright, revealed too much dirt, didn't conceal enough beardless cheek, so it was through the yards and alleys and back roads I walked and hitchhiked, begged and slid, into the cold winter of 1969.
I am in those alleys still, in the fading edge of heat and normal life. I am incomplete, forever denied, forever throwing away what will never be right. I find myself wanting to tell my children, to shake them up, to make them realize how temporary this is, and for no reason other than jealousy over what I mustered for them, the gifts I gave them of reliability and be-there, and love.
When I feel this come on I retreat into the shadows and write. It does no good but it uses up the bad time, sloughs off the perversity of working so hard to make sure they never fear what I feared. And wanting them -- so bad I want this -- to feel it all, the torn nails and cold legs and hunger. How every warm lamplit window was a dead hand in my heart, tramping the midwest so long ago.
I am still incomplete. I feel forever denied, and I have made a life of denial, giving my all to my children, every nerve and sinew I give to them. I don't take vacations or waste money on anything but books -- children grow up smarter in homes with books, studies show, and mine did -- and I gave to them the radiance of whole, the infrared of love, the ultraviolet of steadfast.
This is crap. All these words fail, yes? Melodrama, or else raw chalk on a cheap slate. No careful observation or rendered details will revive that boy or save him. No wordplay or wrenching theatrics will recover him and set him right, return him to better future. No lifting up, what's done is done and what's gone is gone, except it is not gone. I am not all here. I never left that alley. That moment lives in me: days gone on the latest escape, the grease congealed on the wax wrapper, my thin gloves between my knees, my tongue taking up the soggy bread and crusted mayonnaise and stiff lunch meat; both hands turning it, pulling the paper flat, to get everything, from every fold and wrinkle. I still feel it, inhabit it, how I make my glances at the battered metal door, and the sidewalk at alley's end, where dawn blessed the Washington University students, hurrying to early class. I am still afraid someone will look my way, some dishwasher will open the door.
I zoom in on that boy and I am that boy, uncombed, unwashed. I enter him again and again. I can't control it. Every year, into that hollow heart, that shameful hunger, I return.
I can't forget. I can't stop being in that moment. I will never be the student in a warm sweater, laughing with a girl, rushing to class, or the busy, wet-hands kitchen worker, surrounded by food and light. I was, am, always, the other guy, outside.
It comes to me late at night, during movies, while watching my kids. The alley, the cold Nebraska plains. The terror of being driven by speed freaks deep into the Ozarks, to an abandoned cabin. The limed memories of jail. The tragic hope I felt. I will never really get past those moments, and be a regular guy, whole and confident, in a main stream.
I fake it. I am almost done raising my three superb daughters, who are whole, and who think I am like them. I am not. When they go, when I no longer have them to be bright and upright for, what will become of me? Will I go back and finish? How is that done? How do I re-do?
I can't, I won't, recover. I just moved on. I did something else. I did not return to juvie or end up a junkie. But I am defined by those years, that alley, that trash can, that dark light, that days-old, half-eaten sandwich.
How could they have let that happen to me?
Don't tell me good things. Don't tell me I rose up and did alright. I know all the things I am and did and made right.
I succeeded because I return, always, to that place of strewn glass and broken plates and passers-by. I feel, because I must, what I am not, what I missed, what was proved in me: I am not lucky. I was not loved as you were loved, or wanted, as my own children, now and forever, are wanted. I was not protected or cherished or watched over or chased down, tackled before I got away. I have ash where you have birthday gifts.
I am always this way. I chose to turn myself inside out, to make for my children what no hand formed in me. But what is turned is still visible, from the inside, still felt, from the inside. Brick dust. Gasoline. Blisters. Hunger.
I fail at this. Again. So I pat myself. There, there. Let's all feel better now. We'll do what I always do: let it go. I go on, un-nerved. Real people have nerves and full hearts and good lives, can feel every part of what happened once upon a time. They have reunions and reminiscences. I stay a little numb. At a remove.
It's OK. I have enough to eat now, and my children? My children have everything.


Salon.com
Comments
I love that brave and shattered boy, Greg, and I love when you give him his voice.
We have similar feelings, if for different reasons. When I go there, as I periodically do, I have to write write write. If I don't, I start to burrow and dwell, and that's never good, not for me or anyone close to me.
Peace, brother.
xo
Kim
As someone else who survived a tough childhood and fought back in another way, I feel this. So many others would as well. A book.
Some recent research at the University of Hawaii has clarified some of this for me. The tension caused by "fight or flight", which is actually, "freeze, flight, fight, or fright"- keeps the individual in an ongoing state of "stop, look, listen"- unable to let go completely.
My subjective opinion is breaking the cycle as you have done is a prime example of evolution and the evolved being. We have no pie in the sky, only our brilliant children to continue the quest.
http://psy.psychiatryonline.org/cgi/content/full/45/5/448
What is given vs what is inside of you seems to be the contrast that drove you to success with your own daughters.
For every thing denied you, your daughters benefitted.
Horatio Alger use to write of downtrodden lifting themselves from the ashes of abject poverty, and of making a life for themselves and for others. "Mark The Matchstick Boy" was probably intended in more of a economic sense, where anyone in American can rise up and achieve the American dream of money and food...but buried in the words is the emotion of clawing his way up.
You may not wish to hear uplifting words or platitudes in these comments, but you must be intellectually aware that you have accomplished what for many is the impossible.
And that core of greyness in you,...as strange as it may seem;...played a big part in how your girls benefitted.
Platitudes appreciated or not, I admire you more than I can say.
'fraid so.
"...And how every warm lamplit window was a dead hand in my heart, tramping the midwest so long ago."
That part resonates. The aloneness of having no solice in unfamiliar places, even if the "unfamiliar" are the families that do not wholly accept you for the sins of your relatives. It is a cold illumination, like a mere image etched on marble.
Nay...you are, for the world, no less real than the ones who remember the smallest details of their triumphs. Your words allow us to seamlessly glide into the places where your gigantic thoughts are cast, feeling bouyed, feeling safer, feeling more complete...
what's impressive to me is that you distill poetry from pain, that your extreme need impelled you to heroic (yes, that's the word, accept it) generosity
what's distressing is that you appear trapped in an amber of agony and despair, does confession free you?
So we end up a suicide, or death by anorexia, or death by alcohol or drugs. We try to fake joy, so our children don't have to hurt like we did. But our children are wise, they know more than we think they do.
You are such a gifted writer, I am always in awe of your ability to convey pain, suffering, love. It seems that writing is your salvation & when you're drowning in that river of pain, the pen (or the keyboard) is the stick you grab to reach the still-rocky shore. (Where you lie battered & gasping for breath, but at least it gets you to that shore.) As readers, we benefit from your writing, but ache for the broken child climbing from the words.
I don't have your eloquence & feel like a kid scribbling in crayon responding to a letter on parchment written in blood with a quill pen. But I want you to know that I care, we all care. It doesn't take away the misery, but it's important to know. And also -- keep writing, write a book -- any form -- if it's too hard to use real names, give your life to a character -- either way it will hold the truth. Gather & publish your essays, whatever -- just keep writing out the pain & maybe it will wear down & leave you. Despite what you write in your tag, I believe there IS hope.
R
Mine was not as harsh as yours, but I, too, had no idea what being a father was like, not having had one for most of my childhood years. We fashion our behavior out of our hearts. You have done an admirable job, as you say. There is no reason to assume you will not continue to do so in the future. You'd have to have some, ah, nerve to say so.
Alcoholic by age 16. Right there with you. Nobody stopped me.
The pain of living in the alley and everything thereafter likely taught you empathy and sympathy. You sent chills down spines today. We are all wiser for having read this. Find comfort in that.
This line touched me:
"I am almost done raising my three superb daughters, who are whole, and who think I am like them. I am not"
When we know what real parenting and real love can be...it makes it that much harder knowing what we lost out on.
Superb. My compliments. My sympathies.
__
Thank you, every one.
Lezlie
By the way, your writing is drop-dead-gorgeous.
Rated.
It's all you Greg, missing any of it would be missing pieces of who you are and you wouldn't be. And heads up - who you are is pretty d*mn good, *all* of you ;).
Rated for the mirror clears.