Enough already! I am so tired of reading about food. Mine, I realize, will not be a popular attitude in an era when everyone and the pizza delivery boy are writing about what they made for dinner last night.
It was fresh and cute when Nora Ephron popularized it by including recipes for comfort food in her roman a clef and subsequent movie, Heartburn. Thirty years later, all this writing about cooking has become tedious. Yes, most of us like to eat, and I am suspicious of that slim (in all senses) minority of people who don't. In my experience, not liking to eat is associated with an ungenerous spirit or with the physical and psychological pathologies of anorexia. But I do not care to read about your adventures in the kitchen because, in the end, it's just food; and try as you might, cooking is not art — that is, a meal does not mean, it simply is: food does not signify anything beyond itself.
And here is where things get interesting: a lot of the conversations around food assume that it does signify something larger than itself. Usually it serves as a status signifier, i.e., "My food choices demonstrate that I have more refined sensibilities and/or am morally superior.” You can see this in wine or gastronomy snobs, and in that small, obnoxious minority of fundamentalist vegans who condemn with religious enthusiasm the depravity of everyone but themselves, consigning even cottage cheese-nibbling vegetarians to perdition right along with the hopeless omnivore.
Cooking is like plumbing: both are necessary and admirable skills. One is dismayed to see them done poorly, and gratified to have them done well. But as subjects for extended conversation, searching questions, deep thought, the give and take of philosophical dialogue? Not so much. Food is just food.
I think a lot of people write about food simply because it is easy — let’s be honest: you really don’t have to think too hard to write about cooking — and because interest in food is universal. Food can be used as a quick sociological indicator: if I tell you that I’ve developed a passion for organic maple-flavored almond butter or that my diet depends on finding wild nettles, you have some critical information.
Sometimes I wonder what people used to do before all this food writing, and what we’ll be writing about when it finally wanes. The thing that sticks in my craw, a half-formed notion I can only poorly express, is the sense that writing about food has become an easy substitute for grappling with more difficult aspects of our lives.


Salon.com
Comments
But this is a fantastic point: "let’s be honest: you really don’t have to think too hard to write about cooking."
Nice work.
I've actually gotten some good food ideas by reading Foodie Tuesday posts and have had some fun telling stories and posting recipes of my own (though it's been a long, long time since I've done). Often, the food writing isn't about the food but about the stories. In connection to which, I recommend to you Bellwether Vance: her recipes are excellent, but it's her stories that lead to the recipes that truly delight.
popular and middle-of-the-road food blogs reveals at best,
un-original, and at worst, appalling writing skills. You
certainly make a point regarding the preciousness of
niche food writing, the holier-than-thou snootiness, the
love/hate attitudes. (I swear on the grave of Julia Child
that if I read about another "sinful" chocolate dessert or
"amazing" hummus I will...I will...oh I don't know, X out
and go on with life.) In defense of carefully crafted and
well-done food writing, in which Nora Ephron's work is
certainly included (have you read "Crazy Salad Plus
Nine"? Find it.), it speaks as much to the writer's world as the reader's. Unlike the other two basics of life, clothing and shelter, the frequent acts of cooking and eating, whether alone or in community, are worth writing and reading about because of that connection, a sense of place, a moment in time.
Of course, Open Salon showcases some excellent food writers. And I join AtHome Pilgrim in recommending Bell's stories. In addition to Ephron, I recommend Laurie Colwin, Francis Lam, Ruch Reichl, Kim Severson, Frank Bruni, and a host of other writers that just happen to include recipes with their tales. I consider that list of ingredients and instructions the prize at the bottom of the Cracker Jack box.