Ann Gelder

Ann Gelder
Birthday
December 31
Bio
A writer and recovering academic. You can read my work in Alaska Quarterly Review, Crazyhorse, Portland Review, The Millions, The Rumpus, and Tin House. I have taught comparative literature at Stanford and Berkeley, and I recently completed my first novel.

MY RECENT POSTS

Ann Gelder's Links

Salon.com
AUGUST 16, 2012 5:35PM

Counting minutes, not words?

Via the PEN Center, Aimee Bender writes a nice piece on the importance of routine and structure for writers. Probably more people will be wowed by the information that she used to write in a closet. But I'm more interested in the fact that she sets a time limit, as opposed…

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AUGUST 14, 2012 4:58PM

Is silence golden?

Insert usual excuses for not blogging here.

Plus:

I have been wondering lately about this whole imperative to say stuff on the Internet as often as possible. Where does this very recent, overwhelmingly powerful requirement to write in public come from? I think it's safe to say it comes from corporation…

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JULY 31, 2012 11:39AM

Riffing and dwelling

I have *so* not been blogging. Obviously. As I recently learned from a highly scientific test, I am a creature of routine (but no less fascinating for being one!). When my routine is thrown off, say by lots of paying work, which, I hasten once again to add, is a very,…

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JULY 17, 2012 7:33PM

Advertising, fiction, and Mad Men

So I recently figured out that people want the same thing from advertising as they do from fiction: an emotional experience. In advertising, that experience is designed to spur you to buy, or at least think favorably, about a product or service--which may or may not be an admirable goal. In…

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Susan Cain's book about introversion made quite a splash in January, and the ripples are still going strong. Her work came back to my attention recently, as I've been doing some consulting for schools that help children "come out of their shells." There's much to be said for teaching introverts to…

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Having weighed in on busyness the other day, I thought I'd take a crack at "optimism." This article, too, is from the NYT. It's by Jane Brody, who I generally think is a good person and a purveyor of useful advice, although the chirpy puritanism of her columns always puts me…

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I very much enjoyed Tim Kreider's piece on busyness in yesterday's NYT. Mostly because it validates me, and the many hours I spend draped on the couch, with or without a cat on my sternum. I am valuable! I have insights, not despite but because of my staggering capacity for sloth!…

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JUNE 21, 2012 10:45AM

Not dead

... just working a lot and traveling. Occasionally tweeting. I took a test and discovered that I am a creature of routine and an introvert, and also very much like Johnny Depp. And Mary Poppins. Other than that, not much news.

I hope to resume some form of regular blogging next week.
I expect to return many times to this nearly twenty-year-old interview with Don DeLillo in The Paris Review. It basically answers all my questions about writing and validates what I thought were some of my worst tendencies, especially in relation to character. So it's awesome!

But today I want to dwel…

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MAY 29, 2012 12:17PM

"Show, don't tell" and hoarding

I spent the past two days purging old clothes from my closets. I hauled five bags of stuff off to Goodwill, and upon returning home, I felt ... awful. My sense is that one is supposed to feel liberated on such occasions, and also not a little holy for contributing to…

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Here's another thing writing teachers always tell us: Be concrete. Use words that create images in the reader's mind; make them feel or hear or see or smell something specific. (Smell is an especial favorite.) This dictum is a variation of the dreaded "Show, don't tell," and, like its counterpart, it…

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A writing teacher once told me that you should resist including flashbacks in your fiction at all costs. If you absolutely must add a flashback, each one can be no more than three lines (or was it sentences? Lines, probably, because with sentences you could cheat, spinning out subordinate clauses for…

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Editor’s Pick
MAY 8, 2012 8:52PM

In praise of the writerly surprise

I've been dipping into George Saunders's essays in The Braindead Megaphone. I've always admired Saunders as a writer of the kind of surreal, hilarious, and deeply sad fiction I wish I could come up with myself. But man, can he rock an essay.

I suppose that what makes his fiction great is…

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MAY 3, 2012 11:40AM

Just a little more on 2666

...because I'm obsessed, still hung over, grasping at the fading glimmers this novel's explosion left in my psyche.

I came across this piece, In the Labyrinth: A User's Guide to Bolaño, on the New Yorker web site. Now, I actually receive the New Yorker at my home on a mostly regular basis,…

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While we're on the subject of large, sprawling novels, why can't I think of any by women? Is there a female DFW, Dostoevsky, Melville, Tolstoy, or Bolaño? There is, right? Am I just drawing a blank, or is this really some kind of guy thing?

Middlemarch, maybe? Anne Rice doesn't count. I'm…

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No, I didn't disappear under a pile of fennel, but of work...which is like fennel, in that it is tough and large and sometimes hard to cut through, but very good roasted.

In addition, I have been racing to finish Roberto Bolaño's 2666, because I took it out of the library, and… Read full post »
APRIL 12, 2012 4:08PM

Instead of fiction, fennel

Not really feeling the literary life today; not sure why, but allow me to compensate by talking about fennel! It's awesome! Yeah, that stuff that grows in huge clumps along the freeway here in Northern California is just the best thing ever, roasted or sauteed. Nor does one need to park…

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APRIL 10, 2012 12:05PM

An adverb of note

From time to time I like to say something nice about adverbs. Stephen King has said the road to hell is paved with them, and no one knows the way to perdition better than King. And it's true that writers often employ adverbs for the sole purpose of shoring up weak…

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So this is very cool.

It's TED Curator Chris Anderson's animated talk, "Questions No One Knows the Answers To." Are kids everywhere watching this? And adults as well? I hope so.

As I have mentioned, I went to an excellent public school and had a presumably excellent science education therein. Yet never/…

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We just watched Episode Fifteen of the eighteen total episodes of Freaks and Geeks. As we near the end, it's all starting to seem darker and sadder, because we know there will never be any more episodes, ever, and also because the later episodes explore darker themes (addiction, accidental pet death,…

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So, three weeks ago precisely, I wrote a terribly excited post about how Holmes and Watson had accidentally allowed their client, Henry Baskerville, to be killed! And it was really cool, because, see, Conan Doyle had introduced this really troubling moral dimension to the whole sleuthing business, an…

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MARCH 20, 2012 1:13PM

For the love of the flawed novel

From Emily St. John Mandel's review of Nick Harkaway's Angelmaker on The Millions:

[I]t seems to me that there’s something magnificent about sprawling and ever-so-slightly flawed novels.

It seems so to me, as well. Part of what I love about The Brothers Karamazov, for instance, is the sense that its…

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I break my usual Monday silence to share some thoughts that came to me after reading this article. Its overall point is that homeschooling must be more closely regulated. While the author, Kristin Rawls, acknowledges that few formal studies have been done on the matter, anecdotal evidence suggests ma…

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MARCH 15, 2012 12:30PM

Justice and the satisfying ending

Today's writing lesson is nominally about Hound of the Baskervilles. But since I haven't read any further from last week, I will have to speak about Larger Issues as opposed to specific literary techniques. For example, the matter of justice: What does fiction have to do with it? Can it bring…

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MARCH 13, 2012 12:03PM

Staying in touch with your writing

Over the last few weeks I've been fairly consumed with editing work. Which is good! Very, very good! But it has left me a tad depleted on the verbal front, not to mention reluctant to spend any more time in front of a computer screen than necessary. So I didn't work…

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